This applies to classical ballet as much as modern dance too. That's kind of the whole point it seems to me being in the space that they are and feeling the energy that comes from the performance. That said, the times I've enjoyed dance productions the most have all been live and in person. Nor do I think multimedia is a great thing to bring into dance performances. I'll admit, I am not a huge "dance" fan and in many respects I'm not even sure that the art-form is a good match for film in general. Maybe that wasn't the case in reality, but that's how it feels. The other feeling you start to get by the end is that maybe they cast two women really uncomfortable with any physical contact with one another. Why this would be, I never could figure out. It was as if the director was telling a story (of two women in a relationship) that they didn't actually want to tell at all. Not only did neither of the women present as "masculine" in any way, but the men "playing" the women did not at all feel the women they supposed were playing. Even simple scenes where the two women might be sleeping next to the other, or having breakfast, had one of them as a man. If it were 50/50 it might have worked a little, but this was 100% of them. The sex scenes were clumsy for the most part, which I guess comes down to the use of non-actors (all dancers) though again, for me it was just the jarring fact that every one of them were depicted as opposite sex versions of themselves. Why have a story about two women and hardly ever show them as women? There were so few scenes with them both who they actually were (women) that it made it impossible for any sort of character development to happen, and the chemistry between the various "alter" couplings was practically nil. Could they, maybe, in some other form? Yes, I can imagine it though I still don't see the point. ![]() To me, the ENTIRE conceit that these two women had "male" inner/alter egos just did not work on ANY level. Many have either knocked it for "not enough dance" or not "good enough" dance, which are valid but actually sit well down the list for me as to what is wrong. I don't normally "pile on" when there are already fairly negative reviews, but even going in with an open mind (and low expectations) wasn't enough to prepare me for HOW frustrating this film was. Reviewed by dbowkerD 4 / 10 Very Little of this Works
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The R and M Ghost Disposable Vape has a great, light up function, with a stylish, skull-noir design. ![]() New features include support for chapters in MP4 audio books, importing from URLs containing search results from Discogs and MusicBrainz, and a Norwegian translation. This bugfix release fixes wrong modifications of frames when importing. As a new feature a user action is provided which can automatically fix ID3v2 standard violations. Several bugs are fixed, for example the handling of multiple path arguments of kid3-cli on Windows, and dealing with invalid keys in FLAC Vorbis comments. Revision 3.9.3-1 only for Windows, libssp-0.dll is added to archive, so that OggFlacMetadata plugin is working, see bug 464998. It brings improvements in the audio player and fixes a few bugs in the Discogs import and Windows file handling. Kid3 3.9.4 is the first release with all binary packages built using Qt 6. To get the source code repository, fetch it using Gitįlatpak remote-add -if-not-exists flathub įlatpak remote-add -if-not-exists kdeapps Package for Alt Linux (by Sergey V Turchin).Overview of packages for Fedora (by Hedayat Vatankhah).kid3 and kid3-qt for Debian Unstable (by Mark Purcell, Patrick Matthäi).Package for Chakra (by Neophytos Kolokotronis).Packaging of the KDE Framework version for KaOS.Package for Arch Linux (by Jaroslav Lichtblau).macOS ARM64 Apple Silicon Package (by Leo Maxwell).Special thanks to Marcel Strittmatter for providing hardware that allows for the continuation of macOS support! Thanks to all those who created the following packages: Android package kid3-3.9.4-android.apk (PGP Signature). ![]() , or alternatively, Qt 5 binaries for macOS before Mojave kid3-3.9.4-Darwin-Qt5.dmg (PGP Signature) ![]() macOS binaries kid3-3.9.4-Darwin-amd64.dmg (PGP Signature).Linux binaries (64-bit) kid3-3.9.4-Linux.tgz (PGP Signature).Sudo apt-get install kid3 # KDE users sudo apt-get install kid3-qt # without KDE dependencies sudo apt-get install kid3-cli # for the command-line interface Sudo add-apt-repository ppa:ufleisch/kid3 Sourcecode kid3-3.9.4.tar.gz (PGP Signature).Kid3 is open source software licensed under the GNU General Public License (GPL). The Kid3 page at Open HUB offers code metrics and the possibility to rate Kid3 and to submit comments.The Kid3 page at offers the possibility to rate Kid3 and to submit comments.At the Kid3 project page at SourceForge you can download all releases of Kid3.The KDE Gitlab hosts the source code repository and issues for help.Thanks to all those who translated the handbook: Kid3 runs under Linux ( KDE or only Qt), Windows, macOS and Android and uses Qt, id3lib, libogg, libvorbis, libvorbisfile, libFLAC++, libFLAC, TagLib, Chromaprint. 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Then in a moment of synchronicity, I had placed a book in my Amazon cart and forgot about it. Honestly, I still deal with these things, but I continue to pursue breaking the habit of being myself. I want to live in joy and grace, and with a mindset of immortality. I don’t want to live in depression, anger, or unforgiveness. ![]() More so a testament to how I desire to live. As the “king of the butterflies” they hold a symbolism of royalty in some cultures.īutterflies (especially the Monarch) are a symbol of life, transfiguration, spiritual awakening, endurance, joy, grace, and even immortality in other cultures.įitting for what has been happening in my life over these last few years. The skull for death, the butterfly for life. They too will crumble to dust in the course of the ages.Īs I looked into these phrases, I often found these two symbols connected: the skull and a butterfly. When flesh and muscle are stripped away, digested by microbes, and the assault of time has taken its toll on a corpse, all we are left with is bones. The most common symbolism of death is a skull. I started looking for what else to put with it.Īs a semiotician I am trained to look at signs, symbols, and metaphors. As I looked into it more, I found this other half of the phrase, “Memento Vivere,” – remember to live. It began to reverberate in my spirit again, and I decided I wanted to get it tattooed on me. I did a whole podcast on this phrase many moons ago. Even to the point I considered taking my own life.Īs summer was in full bloom, and I was overcoming my depression, I was reminded of the stoic phrase Memento Mori. There has been loneliness, frustration, deconstructing, questioning, anger, joy, freedom, and so many emotions that it became what seemed to be unbearable at times. I’ve previously shared some of those thoughts, but at times the grief and transfiguration process has been overwhelming. Over the last couple years, there have been many deaths physically, spiritually, occupationally, and metaphorically since the beginning of 2020. Even with a regular practice of exercise, meditation, and gratitude journaling, it hit hard. I’ve dealt with bouts of it in the past, but this one was one of the hardest bouts that I’d had since high school/college. The only person that knew a fraction of it was my wife. You see a several months ago I was dealing with some pretty deep depression. Plus, I don’t want to just exist for 200 years. I could choke on a piece of steak, or any number of things that could kill me. But, I know that at any moment I could get hit by a drunk driver, a meteor, or lightning. ![]() So, 2022 was technically my 19.5% birthday. I’ve shared before that I fully intend to live to at least 200 years old. In short it means, “Remember your death (Mori) (or remember you will/could die), so remember to live (Vivere).” I’ll explain the semiotics of it in a moment, but now inked in the layers of skin on my left forearm are the words, “Memento Mori, Memento Vivere.” Along with some other imagery. For my 39th chronological birthday I got a tattoo as a present to myself. ![]() You can use it as a template to jumpstart your development with this pre-built solution. ![]() Explore this online framer-motion-animate-presence-stagger-children sandbox and experiment with it yourself using our interactive online playground. You can orchestrate the delay between the parent and child animations with staggerChildren and dela圜hildren. Edit the code to make changes and see it instantly in the preview. Variants: Staggered animationĪs shown in the previous example, a child will automatically follow its parent’s animation (when using variants). Swipe to deleteĪnimation » Example Animations » 28. Archive Archive Design Components Overriding Design Components Overriding Code Components Overrides (pre X22) Code Components (pre X22) Animations (pre X22)Īnimation The Animate Property The Transition Property ‘While’ Animations and Initial Variants Hooks The useState() Hook Animate Presence The useCycle() Hook The useAnimationControls() Hook Keyframes The useAnimate() Hook Animatable Properties Animation Types API Overview Example Animationsġ.Dragging Dragging Axis and Direction Locking Drag Constraints Drag Elastic Drag Momentum Inertia Animations Modify Target Min and Max Snap to Grid Example Snap to Corner Example Drag Events.Smart Code Components Smart Code Components Props Versus State Passing Down Props Sharing State Letting a Prop Change the State Simple But Smart iOS Segmented Control.Framer Motion Framer Motion Create React App CodeSandbox Automatic Layout Animations Layout Group Layout ID SVG Animations Drag Controls Routing. ![]()
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Likewise, some of these data may suffer from underreporting during the pandemic, thus data quality is also of concern. ![]() First, the available data for the excess mortality analysis disproportionally represents high-income countries and the pandemic may unfold differently in low- and middle-income countries. While the evidence thus far does not point to an increase in child and youth mortality related to the COVID-19 pandemic in 2020 or 2021, these data have limitations and caution must be taken with their interpretation. That analysis, which included empirical data on mortality in 2020 from more than 110 countries and areas and from more than 80 countries and areas for 2021, found no evidence of widespread, significant excess mortality among those under age 25 or excess stillbirths for 2020 or 2021. Importantly, excess mortality analysis considers all deaths that have occurred in a specific time and place, and thus should capture both direct COVID-19 deaths and any indirect deaths resulting from pandemic-related disruptions. The UN IGME undertook an analysis of excess mortality among children, adolescents and youth as well as stillbirths in 20 for its most recent annual child mortality report: Levels and Trends in Child Mortality: Report 2022, which provides country, regional and global estimates of mortality for ages 0-24 years up to 2021, and for its most recent stillbirths report: Never Forgotten: The situation of stillbirth around the globe. However, there is concern that the indirect effects of the pandemic on mortality in these age groups stemming from strained health systems, household income loss, and disruptions to care-seeking and preventative interventions like vaccination may be more substantial. ![]() The available evidence indicates the direct impact of COVID-19 on child, adolescent and youth mortality to be limited. For more information, including age and sex disaggregated data, visit our interactive dashboard.ġbased off 65 per cent of the total global deaths reported by JHU. Of the over 17,400 deaths reported in those under 20 years of age, 53 per cent occurred among adolescents ages 10–19, and 47 per cent among children ages 0–9.ĭata correct as of December 2023. How many children have died from COVID-19?Īmong the 4.4 million COVID-19 deaths 1 reported in the MPIDR COVerAGE database, 0.4 per cent (over 17,400) occurred in children and adolescents under 20 years of age. Saint Helena, Ascension and Tristan da Cunha China, Hong Kong Special Administrative RegionĬhina, Macao Special Administrative Region ![]() “For me, this piece has been about honoring my own inner life and about honoring the inner life of so many Black men who experience love, or want to experience love and are looking for ways to express it and don’t really know how,” he continues. They are three-dimensional human beings who are multifaceted and have inner lives that must be honored. That’s sort of been the goal with this piece, is to really show Black men in a way that they are more than just the labels that have been put on them. He occupies a space of melancholy for much of the play. “I think while my character is called Love, I don’t think he always shows up in a way that looks like love, what we traditionally think of as looking like love. “I think what Keenan has done brilliantly with this piece is created these archetypes of men and then really turned them on their head,” he says. I feel like I have less pressure or attachment to outcomes in a certain way. They studied theater and they worked in the theater.’ I do come back to the theater with the mindset of coming back to my roots and really working on my craft and being grounded in the craft of the work that I do. I want to study theater, I want to be on the stage to sort of get my chops and pay my dues in a way. “Before, when I was on the stage, I was doing it because I thought, ‘this is what I need to do to become a good actor. I have a better understanding of who I am as an artist and what I want to say and how I want to say it,” he says. “I see myself a lot more clearly now I think. Since Burnside was last onstage in 2016, his life has changed dramatically, thanks to a little show called “Pose.” The 32-year-old became a sensation along with the rest of the series’ cast, as the show won multiple Emmys and became a cultural fixture (its final episode aired earlier this year).īurnside says returning to the theater following the ending of “Pose” is a therapeutic experience in many ways. Mostly people just say how grateful they are to get to witness it and get to see these portrayals of these Black men on stage.”Īlisha Boe Makes Her Period Piece Debut With 'The Buccaneers' It’s been a really cool cross section of feedback. People are laughing a lot and they’re talking back to us in the theater, which I love. “It’s been really interesting the way that this piece is affecting people. ![]() “One of the responses that I’ve heard a lot is that a lot of people have said, ‘wow, I know all of these men on the stage.’ A lot of Black folks who have come to see the show and they’re like, ‘that’s my brother’ or ‘this character is me’ or ‘this character is my father,’” Burnside says. The actor Dyllón Burnside, one of the play’s seven cast members, says it’s like this every single night - and it hits home the magic of being back onstage again, telling a story that is making history on Broadway. From the moment the show begins the audience inside the John Golden Theatre is engaged: talking back to the actors, murmuring in agreement, reacting in emotion. Broadnax 3rd, is far from a silent experience. Taking in “Thoughts of a Colored Man,” the Broadway play from playwright Keenan Scott 2nd and director Steve H. |
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